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By Wyatt Brown
Tracking the piano, guitars and other rhythm instruments.
We can delete the primary copy of our song with our new tracks.
I recommend we record a guitar track on a PC recording program. so other tracks that we record will sit inside the groove comfortably.We just follow our plan, play our guitar such a way we include solo,breaks and particular components. After the guitar parts we proceed to recording the piano and melodic instruments and rhythm it will provide a way to guide the drums and guitars we have put down.
Put down our Counter Point Instruments Tracks.
When we put down our program for the track, we know exactly what is played by which instrument and when. It may possibly be saxophones
, syn pads, electric guitars, and even organs and accordions.We use our program to record our tracks.There may be possibly be solo instruments that play in parts of our track too. Do those following after we finished the counterpoint instruments.
We must always be conscious that these tracks stand out inside the song, so we must always play them correctly,and in this stage if something isn't proper we try and correct it or fix it. The beauty about it is,as the tracks come together we are able to hear how the feel of the track come about. At this we do just a little mixing to minimize clashes in our tracks.
Recording the Vocals.
Probably the most critical thing naturally is the vocal input, we are able to document a guide vocal course very first. You'll find a few things that we must always be conscious at first, the singer uses singing muscles, if its tired it will show in the track.
The best answer for that is rest the singer, when he or she is well rested, relaxed and of course well practiced in the song we can start recording, and he or she is encouraged to input her/his characteristics in the song.
When the singer is ready to record the track, get her/he to have a practice run to warm the voice up, take your time as an excellent vocal track is really crucial.Do various takes too so we cut and paste the best bits into the final track.
Vocal Harmony
These go last they fit in smoothly with the principal vocal track.We have to watch our phrasing here, pronunciation and timing here, as the back up singer will have to adhere to these to a tee. We ensure the back up singers are also in sync and timing with each other. The aim is to get a good tight vocal tracks. We are able to record the singer together or separately, as long we get probably the most polished results as our aim.
Mixing.
We will base our mixing on the tracks created in the model song. Play the guide song first and mix to that song arrangement. Do not spend a lot of time with this basic mix. We do our stereo panning as well, where we determine where our band members on the stage are, that will determine our stereo image.
Next we adjust our levels of our tracks so that, they sound relatively to each other with the vocals slightly inside the front.
To add reverberation, we add the re-verb effect.
We can delete the primary copy of our song with our new tracks.
I recommend we record a guitar track on a PC recording program. so other tracks that we record will sit inside the groove comfortably.We just follow our plan, play our guitar such a way we include solo,breaks and particular components. After the guitar parts we proceed to recording the piano and melodic instruments and rhythm it will provide a way to guide the drums and guitars we have put down.
Put down our Counter Point Instruments Tracks.
When we put down our program for the track, we know exactly what is played by which instrument and when. It may possibly be saxophones
, syn pads, electric guitars, and even organs and accordions.We use our program to record our tracks.There may be possibly be solo instruments that play in parts of our track too. Do those following after we finished the counterpoint instruments. We must always be conscious that these tracks stand out inside the song, so we must always play them correctly,and in this stage if something isn't proper we try and correct it or fix it. The beauty about it is,as the tracks come together we are able to hear how the feel of the track come about. At this we do just a little mixing to minimize clashes in our tracks.
Recording the Vocals.
Probably the most critical thing naturally is the vocal input, we are able to document a guide vocal course very first. You'll find a few things that we must always be conscious at first, the singer uses singing muscles, if its tired it will show in the track.
The best answer for that is rest the singer, when he or she is well rested, relaxed and of course well practiced in the song we can start recording, and he or she is encouraged to input her/his characteristics in the song.
When the singer is ready to record the track, get her/he to have a practice run to warm the voice up, take your time as an excellent vocal track is really crucial.Do various takes too so we cut and paste the best bits into the final track.
Vocal Harmony
These go last they fit in smoothly with the principal vocal track.We have to watch our phrasing here, pronunciation and timing here, as the back up singer will have to adhere to these to a tee. We ensure the back up singers are also in sync and timing with each other. The aim is to get a good tight vocal tracks. We are able to record the singer together or separately, as long we get probably the most polished results as our aim.
Mixing.
We will base our mixing on the tracks created in the model song. Play the guide song first and mix to that song arrangement. Do not spend a lot of time with this basic mix. We do our stereo panning as well, where we determine where our band members on the stage are, that will determine our stereo image.
Next we adjust our levels of our tracks so that, they sound relatively to each other with the vocals slightly inside the front.
To add reverberation, we add the re-verb effect.
Learn more about recording audacity. Stop by Terence Pera's site where you can find out all about put those ideas in a song and what it can do for you.
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